…basically, I would comment very little or not at all on my photos. the purest thing is if they speak for themselves – it is them that have to communicate with the audience, not me.
increasingly, my personal experience is that the best (not necessarily beautiful but rather exciting) images fall into a composition in an instant. in this way, the thing is credible and not
arranged in advance.
a movement or an emotion will only be ’punchy’ if it happens instinctively, which is true not only for children. these moments come naturally in the case of the majority of people as there
is no vested interest and the essence of the moment is to reflect the atmosphere at hand.
this is a powerful truth also because it is way more exciting to have people inherit their gestures, facial expressions and emotions than to arrange the same poses for millions of people – this way images are unique and so are we; we’re all different.
for me, the most important element is composition, in which a human or a trace of a human needs to be always present.
technique and post-processing is always subservient to the needs of image creating. furthermore, I am of the view that creation is a lonely path and instead of surrendering to the hype of new trends, one needs to discover one’s, untrodden path.
soooo…welcome to the jungle – in my SUBJECTIVE & LYRICAL DOCUMENTARISM !
In fact:
In 2016, after the birth of my twins, I bought my first dsrl camera, the documentary approach and attitude have characterized me ever since.
In 2018, I obtained the OKJ qualification of “photographer and photo product dealer”.
In 2019, I got AFIAP diploma of photographer based on my merit-results in foreign competitions of the International Federation of Photographers (FIAP) – over a period of about a year and a half.
In addition to group exhibitions, in 2021 I was invited to hold a solo exhibition in Mór (Lamberg Castle) and in 2022 in Székesfehérvár (Community Center – Szárazréti Kultúrudvar).
In 2022, as a result of a two-year project, I was finally able to open my sunlight studio in the city center of Székesfehérvár.
From February 2022, I had a chance to study at the Szellemkép Foundation for half a year within a frame of fellowship, which training was essentially intended to broaden my creative vision and strengthened my interest in filmmaking.
In October 2022, I was admitted to the 1-year coordinated cinematographer training at the Lumiére Film School, which spurred further determination.
In November 2023, our film “1944” was presented at the Pushkin Cinema, and then in December 2023, we won 1st place in the adult category at the II. Kőbányai Film Festival with our etude titled “Peronoszpóra”.
some of my soulslides You can also find here:
https://www.fotoklikk.eu/esemeny/szinvakfoltok-schaffer-moric-fotokiallitasa/
https://www.fotoklikk.eu/wp-content/uploads/2019/11/2019_nov18.pdf
https://35awards.com/author/mric/awards
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